I have worked with the Canon EOS cinema cameras since the C300 was first introduced. Why did you choose to shoot with Canon EOS cinema cameras? Have you considered using other cameras for this project? My father was a brilliant photographer whose work, today collected in numerous major museums, focused on the Civil Rights Movement and social protests that defined the 1960s. I was introduced to photography when I was growing up. Elisa was the executive producer of the 2021 Oscar-nominated documentary short A Love Song for Latasha on Netflix.
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Our recent major work includes Help Us Find Sunil Tripathi (available on Amazon), Welcome to Pine Lake (acquired by CBS and available on Paramount+), and the just-released four-part series Wasteland (produced for CBS and available on Paramount+). My production partner, Elisa Gambino, has spent years producing independent documentaries as well as short films focused on Global Public Health. Throughout this period I also edited the material I filmed which allowed me, when I left newsgathering, to work on projects from beginning to end. I covered the first Gulf War, the intervention in Somalia, the first elections in South Africa, the war in Bosnia, the collapse of the Soviet Union, and the economic collapse that occurred after, and many other defining events of that era. I spent a number of years based in London, Rome, and Moscow working for CNN as a videographer. Watching him work and learning about the entire process of black and white photography was the impetus for me to pursue a career in news and documentary production. Please let the readers know about yourself (short bio focused on your filmmaking career). And when you hit the edit room you will have what you need.
You focus on what is in front of you and let the rest go. You can only be in one place at one time with one camera and one lens attached to that camera. We interviewed Broffman regarding the making of this important project. Wasteland was shot by veteran cinematographer Neal Broffman who trusted the Canon’s EOS C500 Mark II and EOS C300 Mark II. Wasteland examines how we got here, and whether overproduction of waste and crumbling infrastructure can keep up before the problem blows up in our faces”. Untreated sewage is poisoning rivers and polluting coastlines. Failing septic tanks and collapsing sewer lines are shooting raw waste into people’s homes. Too much waste, and an inadequate way to clean it up.
This is the synopsis: “The world’s wealthiest nation hides a problem you’ve never thought about, but can no longer ignore.
Wasteland is a four-part series which has produced for CBS and available on Paramount+, that examines the terrible impact waste is having on America’s waterways and the challenges people must overcome to preserve their health.
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Read on about the challenges of documentary filmmaking and tips on how to get your film out there. This complex job was done with the help of Canon Cinema EOS cameras. Veteran documentary filmmaker Neal Broffman shares with is his experience and knowledge when shooting the four-part series Wasteland (produced for CBS and available on Paramount+).
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